[B386.Ebook] Free Ebook Language and Creativity: The Art of Common Talk (Routledge Linguistics Classics), by Ronald Carter

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Language and Creativity has become established as a pivotal text for courses in English Language, Linguistics and Literacy.

Creativity in language has conventionally been regarded as the preserve of institutionalised discourses such as literature and advertising, and individual gifted minds. In this ground-breaking book, bestselling author Ronald Carter explores the idea that creativity, far from being simply a property of exceptional people, is an exceptional property of all people.

Drawing on a range of real examples of everyday conversations and speech, from flatmates in a student house and families on holiday to psychotherapy sessions and chat-lines, the book argues that creativity is an all-pervasive feature of everyday language. Using close analysis of naturally occurring language, taken from a unique 5 million word corpus, Language and Creativity reveals that speakers commonly make meanings in a variety of creative ways, in a wide range of social contexts and for a diverse set of reasons.

This Routledge Linguistics Classic is here reissued with a new preface from the author, covering a range of key topics from e-language and internet discourse to English language teaching and world Englishes. Language and Creativity continues to build on the previous theories of creativity, offering a radical contribution to linguistic, literary and cultural theory. A must for anyone interested in the creativity of our everyday speech.

• Sales Rank: #9494686 in Books
• Published on: 2015-10-07
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .69" w x 6.14" l, .0 pounds
• Binding: Hardcover
• 288 pages

Review

'Reading this volume gives the same pleasure as dipping into a reference book on where words come from. It is fascinating and full of background interest ... It is an intriguing study, delving into how human beings use language and how every one of us is creative with it.'�– ESB

'The strength of this book is that Carter uses "real" evidence, transcriptions of conversations from the Cancode corpus, a 5-million-word computerised database that includes recordings from a variety of settings in the UK and Ireland. This broad-ranging approach makes the book a useful consciousness-raising exercise for beginner students.'�– Jean Aitchison, The Times Higher Education Supplement

'The book is a valuable new intervention which should be considered by all applied linguists for both the detail of its analyses and the larger questions it opens up.'�– BaaL News

About the Author

Ronald Carter is Research Professor of Modern English Language in the School of English at the University of Nottingham, UK. He is the series co-editor of the Routledge Applied Linguistics and Routledge Introductions to Applied Linguistics series. His recent books include: How to Analyse Texts (Routledge, 2016), Spoken Corpus Linguistics (Routledge, 2013) and Vocabulary (reissued as a Routledge Linguistics Classic, 2012).

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0 of 0 people found the following review helpful.
An Interesting Open University Set-Text that Explores the Potential for Creativity and Inventiveness in Everyday Discourse!
By Nicholas Richard Pearson
Ronald Carter's publication, 'Language and Creativity: The Art of Common Talk' is an attempt to build on existing theories of creativity in order to examine whether language can be a creative phenomenon in everyday conversation, or specifically reserved for the solitary literary genius. It asks questions such as whether we create language ourselves or simply build upon existing idioms within the general mass populace, bringing about an argument as to whether anyone can create linguistic creativity, either with conscious effort or via literary devices.
The book itself is in actuality the first set-text for the Open University Level 3 module 'E301: The Art of English', which explores the English language as a creative phenomenon in both spoken and written interaction. I chose to take this module as an optional course in order to complete a BA in Humanities with English Language, and this book certainly aids in helping to understand what the OU's course materials attempt to teach its students. In fact, Ronald Carter himself provides a few articles and chapters to the E301 module, so this first set-text is an excellent addition to what is an already interesting academic journey.
Published by Routledge in 2004, it can be said that the examples that Carter provides are a bit dated, especially since, in 2014, we are steadily entering into a greater technological age with smartphones, and computer tablets, for example. (This goes for the course itself I would say.) However, Carter's utilisation of the Cancode database and heavy focus on other such linguistic corpora illustrates just how he attempts to explore everyday language as creative in its ubiquitous presence.
Splitting his publication into three parts of 'Backgrounds and Theories', 'Forms and Functions' and 'Contexts and Variations', Carter outlines examples and explorations of spoken discourse taken from the Cancode database across six chapters altogether. He focuses on the clines and continua of linguistic creativity, with background exploration of theories from fellow linguists and scholars, in order to examine how our everyday speech can be seen as a creative act, using viewpoints from various cultures and time periods.
I would say that 'The Art of Common Talk' is definitely not intended for light reading; far from it. The E301 course team gives its students two weeks to read this set-text, and I found it extremely difficult to follow for the first few days. However, once I got into Carter's format and began to understand his terminology better, I became enthralled with the idea that language can have the power for fictional worlds to be created on a daily basis, via our creative methods of language usage. We ultimately have power over our spoken interaction, which can be either intertextually influenced or created via interdiscursive methods.
If you are an aspiring linguist and decide to pick up this book as some exploration of the art of spoken discourse, please be patient and take your time in coming to grips with Carter's own specific methodology regarding his subject matter. I would give the same advice to Open University E301 students, and I would also advise that you work with your tutor and fellow students in examining Carter's viewpoints from a critical perspective, especially since it is more than likely that the OU will expect at least some reference to this material when submitting your tutor-marked assignments online.

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“Want to be a better leader? Read "The Leader’s Mindset" and then DO WHAT IT TELLS YOU TO DO! You won’t regret it.” --- Chester Elton, New York Times bestselling author of "All In"

“Terence assembles the strands of leadership DNA that are the key to success--both for yourself and for the people you lead.” --- Jeff Haden, contributing editor, Inc. magazine

“Insightful leadership wisdom for aspiring leaders distilled into practical, actionable advice." --- Doug Conant, chairman, Kellogg Executive Leadership Institute, and former CEO, Campbell Soup, Inc.

“The difference between the best leaders and the rest is not who they know or even what they know but how they think. This book goes with the practical precision to the cerebellum of leadership.” --- Octavius Black, CEO, Mind Gym

"Extraordinary leaders are not born, they're made. This book offers a deep-dive into some of the most practical advice on how to become one.” --- Emilia Lahti, Aalto University School of Science and Technology, and founder of the Sisu Lab

Top leadership thinker Terence Mauri unlocks the anatomy of the leader’s mindset.

It’s time to rip up the rulebook on leadership. The future belongs to a different kind a leader with a different kind of mind. In "The Leader’s Mindset: How To Win In The Age of Disruption," Terence Mauri takes you on a deep dive into the hearts and minds of visionaries, risk takers, and pioneers who pursue moonshots, the revolutionary ideas that rewrite how business is done.

The advantages are huge for anyone who can tap the genius of the leader’s mindset: purpose, energy, and the opportunity to excel beyond your wildest imagination. Wherever you are, this clever guide is the missing link for a new type of leadership.

• Sales Rank: #492960 in Books
• Published on: 2016-10-04
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .37" w x 5.51" l, .0 pounds
• Binding: Paperback
• 158 pages

Review
“Want to be a better leader? Read "The Leader’s Mindset" and then DO WHAT IT TELLS YOU TO DO! You won’t regret it.” --- Chester Elton, New York Times bestselling author of "All In"

“Terence assembles the strands of leadership DNA that are the key to success--both for yourself and for the people you lead.” --- Jeff Haden, contributing editor, Inc. magazine

“Insightful leadership wisdom for aspiring leaders distilled into practical, actionable advice." --- Doug Conant, chairman, Kellogg Executive Leadership Institute, and former CEO, Campbell Soup, Inc.

"Extraordinary leaders are not born, they're made. This book offers a deep-dive into some of the most practical advice on how to become one.” --- Emilia Lahti, Aalto University School of Science and Technology, and founder of the Sisu Lab

“The difference between the best leaders and the rest is not who they know or even what they know but how they think. This book goes with the practical precision to the cerebellum of leadership.” --- Octavius Black, CEO, Mind Gym

"A game changer.” --- Joel Brown, CEO and founder of Addicted to Success

“'The Leader’s Mindset' unlocks the gates to exponentially better leadership. Packed with enlightening stories and grounded in research, Terence Mauri has written a book for anyone who wants to up their game.” --- Kevin Kruse, New York Times bestselling author of "Employee Engagement 2.0"

“As a leader, it takes courage and boldness to change the world, and it’s not always easy--but it’s the most fulfilling of any choices you can make. With Terence Mauri’s expert advice, you now know how.” --- Hans Balmaekers, CEO and founder of Sa.am

"Terence unfolds masterfully the core aspects of leadership in our current times.” --- J�sus Blanco, co-founder and CEO of Linktia

“'The Leader’s Mindset' tells you clearly what to do harness the mindset of a disruptive leader.” --- Gordon Tredgold, CEO and founder of Leadership Principles and Visiting Professor, Staffordshire University

“Before reading 'The Leader’s Mindset,' I thought I was stretching myself. But Terence Mauri showed me how I was holding myself back and what to do to really go big, to truly open up the possibilities for success. The Leader’s Mindset shows you why some leaders are able to be true visionaries, how to identify the needs of the future before they exist, and what to do to lead your company there. In 'The Leader’s Mindset,' Mauri outlines a path that's easy to follow and inspiring to think about, with great examples of success.” --- Josh Davis, PhD, author of "Two Awesome Hours: Science-Based Strategies to Harness Your Best Time and Get Your Most Important Work Done"

About the Author
Terence Mauri is an author, keynote speaker, mentor and advisor to some of the world’s most successful companies. He has been recognized as an Inc. magazine Top 100 Leadership Expert and Top 100 Leadership Thinker to follow on Twitter (@terencemauri).

Terence serves as a mentor for Future Ideas (www.futureideas.org), an international panel of experts that includes some of the world’s biggest thinkers, such as Dan Pink (Drive), Richard Florida (Rotman School, University of Toronto), and Rita McGrath (associate professor at the Columbia University Graduate School of Business). He is also a lead host for 9others.com, a thriving forum for connecting entrepreneurs around the world. You can reach Terence Mauri at www.terencemauri.com.

Excerpt. � Reprinted by permission. All rights reserved.
Mindset in Motion

Jan Koum and Brian Acton are the founders of WhatsApp, the world’s most famous messaging app. Its mission is to “empower people through technology and communication, no matter who they are, or where they live.”

Their remarkable journey is a hallmark of courage, willpower, and relentless determination. In a Guardian newspaper interview, Acton describes the relationship as “yin and yang.” He says, “I’m the na�ve optimist, he’s more paranoid. I pay attention to bills and taxes, he [Koum] pays attention to our product.”

Koum was born in a rural village outside of Kiev, Ukraine. At the age of sixteen, during much political strife and instability, his family made the agonizing decision to flee their country and move to Mountain View, California. Koum’s father could not join them and was left behind. Koum told one interviewer, “I grew up in a society where everything you did was eavesdropped on, recorded, snitched on.” Koum’s difficult childhood experience under Soviet surveillance inspired the WhatsApp messaging service.

Koum and Acton are no strangers to failure and rejection. In summer 2009, Acton was looking for a job. For more than eleven years, the Stanford computer science graduate had been working at Yahoo, the social networking business, in various engineering roles.

He used Twitter to share his news.

7:06 PM, 20 MAY 2009

Networking with recruiters, venture capitalists, playing ultimate Frisbee.

8:39 PM, 23 May 2009

Got denied by Twitter HQ. That’s OK. Would have been a long commute.

8:14 PM, 3 Aug 2009

Facebook turned me down. It was a great opportunity to connect with some fantastic people. Looking forward to life’s next adventure.

Whatever you choose to believe, life is anything but predictable. Just five years later, in a miraculous twist of fate, Facebook bought WhatsApp for $19 billion.

To put the deal in perspective, at the time of purchase, the hotel chain Marriott International had over 120,000 staff, a twenty-two-year history, and a market cap of over $15.4 billion. WhatsApp has only fifty-five employees, although I hear they are hiring.

How did this unlikely pair become two of the most successful entrepreneurs on the planet? The answer: They had harnessed the leader’s mindset.

10X Thinking

Astro Teller is a British entrepreneur, scientist, and thinker who is widely credited as one of the pioneers of 10X thinking (10X). He heads up Google X, a futuristic lab responsible for hyper-ambitious projects such as Google Glass, balloon-powered Wi-Fi networks, and the infamous Google self-driving car. According to legend, his business card describes him as “Captain of Moon Shots.”

His story inspired me to embark on a journey to unlock the anatomy of a leader’s mindset at many of the world’s most exciting organizations, from young startups to global giants.

Along the way, I uncovered some surprising insights about how the smartest leaders, teams, and entrepreneurs think and what they do to inspire change and move forward. In an interview with Wired magazine, Teller explains the power of 10X thinking: “There are tests that you can apply to see if you’re thinking big enough. The easiest one, the mantra that we use at Google X, is ten times rather than ten percent better, you tend to work from where you are: if I ask you to make a car that goes 50 miles a gallon, you can just retool the engine you already have. But if I tell you it has to run on a gallon of gas for 500 miles, you’re going to have to start over. That causes you to approach the problem so differently that weirdly, counter-intuitively, it’s often easier to make something ten times better--because perspective-shifting is just that much more powerful than hard work and resources being thrown at problems via traditional, well-tried paths.”

Imagine leading your organization up to ten times better than you do today or increasing your team’s success tenfold. 10X thinking is the golden thread that links all great leaders and is at the core of the leader’s mindset.

My challenge had been set. I wanted to answer the question, “What if any anyone could apply the principles of 10X to their mindset, their team and their leadership?”

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[B768.Ebook] Download PDF The Alfred Burt Christmas Carols: 50th Anniversary Edition, by Alfred Burt

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The Alfred Burt Christmas Carols: 50th Anniversary Edition, by Alfred Burt

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(Piano/Vocal/Guitar Songbook). This collection of 15 holiday songs by Burt includes Christmas card artwork and text for the year each song was released. Includes: Caroling, Caroling * Come, Dear Children * Some Children See Him * The Star Carol * and more.

• Sales Rank: #1105060 in Books
• Brand: Hal Leonard
• Model: 311184
• Published on: 2004-11-01
• Released on: 2004-11-01
• Original language: English
• Number of items: 1
• Dimensions: 12.00" h x .12" w x 9.00" l, .35 pounds
• Binding: Paperback
• 40 pages

Features

• 40 pagesSize: 12" x 9"Artist: Alfred BurtISBN: 634090135

Most helpful customer reviews

25 of 26 people found the following review helpful.
A Great Edition
By Titlelog
This is a very interesting edition of the 15 Alfred Burt Christmas carols. It includes not only the original music and lyrics, but also images of the original greeting cards which were sent out between 1942-54. Burt died too soon at the age of 33, and included in this book are writings by his wife Anne which tell about the carols and her life with Alfred. Many people already know "Some Children See Him," "Caroling, Caroling," and "The Star Carol," but "All On A Christmas Morning" and "Come, Dear Children" are just as great. Burt was the son of an Episcopal rector, but he was also influenced by jazz, so you find both hymnody and modern harmonies in his work. "The Star Carol" is not only his masterpiece, it is also one of the greatest carols ever written.

13 of 14 people found the following review helpful.
Something I've wanted for years
By Library Lady
I had been looking for the Alfred Burt carols since singing them with a community choir group years ago. The book had information about when and how the carols were written, and the hymn-type format is accessible for many pianists and amateur singers. I like the Michigan connection!

5 of 5 people found the following review helpful.
It's not Christmas without Al Burt's carols
By Reg
My father bought the Columbia album with Al Burt's carols back in 1959, and it just isn't Christmas in our home without these beautiful songs. This book gives background and includes the music, so now my daughter can play them on the piano as well. Thanks to the Burt family for sharing these with us in a new way.

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The first in an epic trilogy, Sea of Poppies is "a remarkably rich saga . . . which has plenty of action and adventure � la Dumas, but moments also of Tolstoyan penetration--and a drop or two of Dickensian sentiment" (The Observer [London]).

At the heart of this vibrant saga is a vast ship, the Ibis. Her destiny is a tumultuous voyage across the Indian Ocean shortly before the outbreak of the Opium Wars in China. In a time of colonial upheaval, fate has thrown together a diverse cast of Indians and Westerners on board, from a bankrupt raja to a widowed tribeswoman, from a mulatto American freedman to a free-spirited French orphan. As their old family ties are washed away, they, like their historical counterparts, come to view themselves as jahaj-bhais, or ship-brothers. The vast sweep of this historical adventure spans the lush poppy fields of the Ganges, the rolling high seas, and the exotic backstreets of Canton. With a panorama of characters whose diaspora encapsulates the vexed colonial history of the East itself, Sea of Poppies is "a storm-tossed adventure worthy of Sir Walter Scott" (Vogue).

• Sales Rank: #22390 in Books
• Brand: Ghosh, Amitav
• Published on: 2009-09-29
• Released on: 2009-09-29
• Original language: English
• Number of items: 1
• Dimensions: 8.28" h x .99" w x 5.48" l, 1.21 pounds
• Binding: Paperback
• 560 pages

From Publishers Weekly
Starred Review. Diaspora, myth and a fascinating language mashup propel the Rubik's cube of plots in Ghosh's picaresque epic of the voyage of the Ibis, a ship transporting Indian girmitiyas (coolies) to Mauritius in 1838. The first two-thirds of the book chronicles how the crew and the human cargo come to the vessel, now owned by rising opium merchant Benjamin Burnham. Mulatto second mate Zachary Reid, a 20-year-old of Lord Jim–like innocence, is passing for white and doesn't realize his secret is known to the gomusta (overseer) of the coolies, Baboo Nob Kissin, an educated Falstaffian figure who believes Zachary is the key to realizing his lifelong mission. Among the human cargo, there are three fugitives in disguise, two on the run from a vengeful family and one hoping to escape from Benjamin. Also on board is a formerly high caste raj who was brought down by Benjamin and is now on his way to a penal colony. The cast is marvelous and the plot majestically serpentine, but the real hero is the English language, which has rarely felt so alive and vibrant. (Oct.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
Ghosh�s best and most ambitious work yet is an adventure story set in nineteenth-century Calcutta against the backdrop of the Opium Wars. On the Ibis, a ship engaged in transporting opium across the Bay of Bengal, varied life stories converge. A fallen raja, a half-Chinese convict, a plucky American sailor, a widowed opium farmer, a transgendered religious visionary are all united by the �smoky paradise� of the opium seed. Ghosh writes with impeccable control, and with a vivid and sometimes surprising imagination: a woman�s tooth protrudes �like a tilted gravestone�; an opium addict�s writhing spasms are akin to �looking at a pack of rats squirming in a sack�; the body of a young man is �a smoking crater that had just risen from the ocean and was still waiting to be explored.�
Copyright �2008 Click here to subscribe to The New Yorker

From Bookmarks Magazine
In his sixth novel, Amitav Ghosh observes the pervasive effects of colonialism through the daily trials and discordant inner lives of his large, diverse cast of characters. Though the reviewer from the Wall Street Journal objected to the overt political message and convoluted plot, most critics praised this lush and evocative novel, filled with vivid details of life in 19th-century India. Ghosh's vibrant prose radiates compassion and empathy for his characters and ingeniously recreates the Anglo-Indian pidgin they would have spoken. (Readers may find the frequent foreign words distracting, but a glossary is provided.) The first installment in a projected trilogy, Sea of Poppies ends just as the Ibis's voyage begins, having spent most of its 500-plus pages in exposition. But Ghosh's epic, ambitious vision will keep readers riveted.
Copyright 2008 Bookmarks Publishing LLC

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157 of 165 people found the following review helpful.
a magnificent historical epic
By Aleksandra Nita-Lazar
When the former slaving ship, the Ibis, sails off from America to India, Zachary Reid enlists as a ship's carpenter to escape his American fate as a son of a freed slave girl and her master. Little does he know, how much his life will actually be transformed by this decision...

The year is 1838, and Asia is on the eve of the Opium Wars. The fates of several people become intertwined, as they make their way onto the Ibis. Deeti is a peasant who grows crops of opium, and a wife of the opium factory worker, addicted to the drug. When her husband dies, grey-eyed Deeti has to escape the attention of her vicious brother-in-law. Her only idea is the sati - but unexpectedly, she is snatched from the funeral pyre and becomes an outcast together with her savior, Kalua, the village strongman from the caste of untouchables. They decide to become indentured workers ("coolies") and seek their happiness in the Mauritius. Paulette Lambert, the daughter of a French botanist, is orphaned and cannot bear the strange behavior of Mr Burnham (who happens to be the owner of Ibis), and his family, when he takes her under his protective roof. Neel Rattan, the Raja, finds himself unable to adjust to the changing ways of the colonial world, and, bankrupt, is send to exile. In jail, he meets the half-Chinese Ah Fatt, convicted for robbery. Baboo Nob Kissin (the funniest and probably the most tragic of the main characters), the company's accountant, filled with religious spirit, is overcome by the need of establishing a shrine. All of these original, hilarious characters come to see the overseas trip as an escape. And so their journey is the new beginning.

Amitav Ghosh wrote a great, magnificent, epic novel, a beautiful, complex story revolving around central characters, original and colorful, a great choice of the representatives of the nineteenth-century society in colonial Asia. There are also many great secondary characters (the ship's first mate, Jack Crowle; Jodu, the peasant turned lascar; Serang Ali - the lascar's boss with the gloomy past; the flirtatious girl Munia; and many others), who add a lot of flavor.

The historical details are thoroughly researched - for me, coming from Europe and ignorant of the most part of Asian history, it was a great lesson. The global problems tackled by the author, colonial politics, wars, caste and race, remain significant even today. The geography and landscape descriptions, from India, Calcutta, Mauritius (real and imaginary) to the Sundarbans , one of Ghosh's favorite locations, are also alluring.
The incredibly rich language adds the whole other dimension to the novel. I have to admit that at the beginning the linguistic peculiarities characteristic for each character made the novel difficult to read and I needed to adjust for a while. The sea pidgin, Bengali, Hindi and other dialects of India incorporated into English, with some French added on top of all that, create a unique mix of idiolects. There is a lovely bonus at the end in a form of meticulously done appendix containing Neel's dictionary of sea pidgin, called Chrestomathy.

Fate also plays an essential part in this novel - there are characters, like Deeti, who has a vision of the Ibis, or Baboo Nob Kissin, obsessively devoted to Krishna and his female guru so that he sees signs and omens everywhere, who follow their fate, and there are those who try to run away or do not believe in it... It is intriguing to observe how the fate is present in everyone's story.

I loved the flow of this novel and was completely immersed in the plot, so that I laughed laud at Baboo Nob Kissin and could not repress melancholy and anger when I read some passages. If I could compare it to any other book, it would probably be Barth's "The Sot-Weed Factor" - a picaresque novel of the sea and sailors, which, although set in a very different point in time and space, came to my mind when I was reading "Sea of Poppies".

The open ending left me a little disappointed, because I yearned to know more about the fates of the characters I got to know so well. Therefore, I was very happy to learn that "Sea of Poppies" is the first novel of the planned "Ibis" trilogy. I will await the second one impatiently, hoping that the author can keep up with the first one and will not disappoint the readers!

72 of 78 people found the following review helpful.
Five Stars if Part I; Three if a Stand-Alone
By Richard Wells
It's good to hear (though it's unconfirmed,) that "Sea of Poppies," is part one of a projected trilogy, because although it's a beautifully styled (I'd say extravagantly written,) completely engaging, well researched work of historical fiction, it closes without a satisfactory end. Three stars as a stand-alone, (despite its many merits, and because of the ending;) five stars if it is, indeed, installment one.

Beautifully styled - extravagantly written. I've not read other works by Amitav Ghosh, so I'm not familiar with his stylistic strategies, but "The Sea of Poppies," is written with the love of language I've come to expect from Indian novelists. Mr. Ghosh has captured both the English and the "Hing-lish," of the Victorian Age, and enriched it with a delightful and descriptive patois and pidgin. I don't know how much Mr. Ghosh has invented whole cloth, and how much is a result of research, but it's hugely entertaining, and perhaps near genius. Yes, it does leave you slightly at sea in terms of full understanding, but I find that to be part of the charm. (I've nodded my head in befuddlement in many countries.) It reminds me of the language recorded in the Booker Prize winning, Sacred Hunger" by Barry Unsworth, another beautifully written novel about fretful times.

Well researched. Even as a student of India, the scenes and details of "The Sea of Poppies," were new to me. Village life, city life; the tics, prejudices, and beliefs of the hoi polloi as well as the ruling classes; the facts and lore of the opium trade, the merchant life, and life at sea are all well limned and thoroughly convincing - and enchanting, though not in the whimsical sense that word is usually employed to describe. The description of a walk through an opium refining plant is worth the price of admission. Mr Ghosh engages all the readers' senses in his detailed portrayals of character as well as location. You can smell the ship, "Ibis," not pleasant, but...

Totally engaging. I can't say as I experienced a dull moment. It's a romance, an adventure, a history all combined with a colorful cast of characters and exotic settings.

43 of 46 people found the following review helpful.
"If it is God's will that opium be used as an instrument to open China to his teachings, then so be it."
By Mary Whipple
(4.5 stars) When the Ibis, a "blackbirder," leaves Calcutta and sets out across the Bay of Bengal carrying "indentured migrants," the seas darken and become stormy. As the ship tosses and conditions deteriorate, the ship becomes a microcosm for life on land, full of tumult and unexpected twists of fate, as each person's heart is laid bare. Everybody aboard is escaping from something, so anxious to put their problems behind them that they see no choice but to submit to the atrocious living conditions and sometimes sadistic overseers.

Set in India in 1838, at the outset of the three-year Opium War between the British and the Chinese, this epic novel follows several characters from different levels of society who become united through their personal lives aboard the ship and, more generally, through their connections to the opium and slave trades. Deeti Singh, married as a young teenager to a man whose dependence on opium makes him an inadequate husband and provider, is forced to work on the family's opium field outside Ghazipur by herself, though she fears her sadistic brother-in-law. Zachary Reid, a young sailor from Baltimore has left America because his status as an octoroon has led to constant harassment by other American sailors.

At the opposite end of the scale is Benjamin Burnham, who owns the Ibis and engages in the opium trade. Formerly a slave trader, Burnham now transports exiled prisoners and coolies, and he has acquired enormous wealth and a lavish lifestyle impossible for him in England. Among his acquaintances is Raja Neel Rattan Halder, the zemindar of Raskali, who, accustomed to the unimaginable opulence that upper caste Brahmins assume is their right by birth, has paid little attention to his dwindling resources, and he has now accumulated debts.

Ghosh depicts the lives of these characters and their acquaintances in extravagant and thoroughly researched detail, bringing to life Deeti's misery, the expectations for her within her husband's family, and the customs which she must honor, for example. He fully describes buildings, their contents, bath facilities, dining customs, religious practices, the inside of a slave ship, and even the importance of omens, but he never forgets his obligation as a story-teller, continuously presenting one highly dramatic moment after another. Stories of piracy and cruelty, often growing out of the opium trade, exist side by side with more personal stories of love and nobility. Ghosh's use of local patois creates a rich and colorful atmosphere, and episodes of humor live side by side with episodes of terror. The first book in a projected "Ibis trilogy," this historical novel pulses with life, and as the novel comes to a satisfying close, Ghosh keeps several doors open, suggesting the direction he will take with this novel's sequel. n Mary Whipple

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• Sales Rank: #3943880 in Books
• Published on: 1979-04-19
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .67" w x 5.50" l,
• Binding: Paperback
• 320 pages

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You know that Abby Abernathy unexpectedly became Mrs. Maddox. But what do you really know?

Why did Abby pop the question?
What secrets were shared before the ceremony?
Where did they spend their wedding night?
Who else knew about it . . . and didn’t tell?

Everything about Abby and Travis’s elopement was top-secret . . . until now. Fans of Beautiful Disaster and Walking Disaster will get all of their questions answered in this whirlwind tale of the wedding day (and night!)—and as with all good stories, this one will definitely have been worth the wait.

• Sales Rank: #12178 in eBooks
• Published on: 2013-12-10
• Released on: 2013-12-10
• Format: Kindle eBook

About the Author
Jamie McGuire is the New York Times bestselling author of Beautiful Oblivion, A Beautiful Wedding, Red Hill, Walking Disaster, and Beautiful Disaster. She and her husband Jeff live with their children just outside Enid, Oklahoma, with three dogs, six horses, and a cat named Rooster. Please visit JamieMcGuire.com

Excerpt. � Reprinted by permission. All rights reserved.
A Beautiful Wedding CHAPTER ONE Alibi Abby
I could feel it coming: a growing, persistent unease that crept just beneath my skin. The more I tried to ignore it, the more unbearable it became: an itch that needed to be scratched, a scream bubbling to the surface. My father said that the urgent need to run when things were about to go wrong was a like a tic, a defense mechanism inherent in the Abernathys. I’d felt it moments before the fire, and I was feeling it now.

Sitting in Travis’s bedroom, just hours after the fire, my heart raced and my muscles twitched. My gut pulled me toward the door. Told me to leave; to get away, anywhere but here. But for the first time in my life, I didn’t want to go alone. I could barely focus on that voice I loved so much describing how afraid he was of losing me, and how he was close to escaping when he ran in the opposite direction, toward me. So many people died, some of them strangers from State but some were people I’d seen in the cafeteria, in class, at other fights.

We somehow survived and were sitting alone in his apartment, trying to process it all. Feeling afraid, feeling guilty�.�.�. about those who died, and that we had lived. My lungs felt like they were full of cobwebs and flames, and I couldn’t get the rancid smell of charred skin out of my nose. It was overpowering, and even though I’d taken a shower, it was still there, mixed in with the mint and lavender scent of the soap I used to scrub it away. Equally unforgettable were the sounds. The sirens, the wailing, the worried and panicked chatter, and the screams of people arriving on the scene to discover that a friend was still inside. Everyone looked the same, covered in soot, with identical expressions of bewilderment and despair. It was a nightmare.

Despite my struggle to focus, I did hear him say this: “The only thing I’m afraid of is a life without you, Pigeon.”

We had been too lucky. Even in a dark corner of Vegas, being attacked by Benny’s goons, we somehow still had the advantage. Travis was invincible. But being a part of the Circle, and helping to organize a fight in unsafe conditions that resulted in the deaths of countless college kids�.�.�. that was a fight not even Travis Maddox could win. Our relationship had withstood so many things, but Travis was in real danger of going to prison. Even if he didn’t know it yet, it was the one obstacle that could keep us apart. The one obstacle that we had no control over.

“Then you have nothing to be afraid of,” I said. “We’re forever.”

He sighed, and then pressed his lips against my hair. I didn’t think it was possible to feel so much for one person. He had protected me. It was my turn to protect him.

“This is it,” he said.

“What?”

“I knew the second I met you that there was something about you I needed. Turns out it wasn’t something about you at all. It was just you.”

My insides melted. I loved him. I loved him, and I had to do whatever I could to keep him safe. Whatever it took—no matter how crazy. All I had to do was talk him into it.

I leaned against him, pressing my cheek against his chest. “It’s us, Trav. Nothing makes sense unless we’re together. Have you noticed that?”

“Noticed? I’ve been telling you that all year! It’s official. Bimbos, fights, leaving, Parker, Vegas�.�.�. even fires. Our relationship can withstand anything.”

“Vegas?” I asked.

In that moment, the most insane plan formed in my mind, but the idea made sense as I stared into his warm, brown eyes. Those eyes made everything make sense. His face and neck were still covered in soot mixed with sweat, a reminder of how close we had come to losing everything.

My mind was racing. We would only need necessities and we could be out the door in five minutes. We could buy clothes there. The sooner we left the better. No one would believe two people would get on a plane right after such an enormous tragedy. It didn’t make sense, which was exactly why we had to do it.

I had to take Travis far enough away, for a specific reason. Something believable, even if it was crazy. Luckily, crazy wasn’t that far a leap for Travis and me, and it was possible the investigators would second-guess the dozens of witnesses who saw Travis fighting in the basement of Keaton Hall that night—if they had proof that we were in Vegas hours later getting married. It was absolutely insane, but I didn’t know what else to do. I didn’t have time to come up with a better plan. We should already be gone.

Travis was staring back at me expectantly, waiting to unconditionally accept whatever came out of my crazy mouth. Goddammit, I couldn’t lose him now, not after everything we’d fought through to get to this moment. By anyone’s standards, we were too young to get married, too unpredictable. How many times had we hurt one another along the way, screamed at each other one minute and fallen into bed together the next? But we’d just seen how fragile life was. Who knew when the end would come along and sweep one of us away? I looked at him, resolute. He was mine, and I was his. If I knew anything at all, it was that only those two things mattered.

He furrowed his brow. “Yeah?”

“Have you thought about going back?”

His eyebrows shot up. “I don’t think that’s a good idea for me.”

Weeks ago, I’d broken his heart. Travis chasing America’s car when he realized it was over was still fresh in my mind. He was going to fight for Benny in Vegas, and I wouldn’t go back there. Not even for him. He had gone through hell while we were apart. He’d begged me back on his knees, and I was so set on never returning to my life in Nevada, I’d walked away. I’d be a complete asshole if I asked him to go back. I half expected him to tell me to get the hell out for even mentioning it, but this was the only plan I had, and I was desperate.

“What if we just went for a night?” A night was all I needed. We just needed to be somewhere else.

He looked around his bedroom, searching the darkness for what he thought I wanted to hear. I didn’t want to be that girl, the one who wasn’t forthcoming and caused a huge, stupid misunderstanding. But I couldn’t tell Travis the truth about what I’d just proposed to him. He would never agree to go.

“A night?” He clearly had no clue how to respond. He probably thought it was a test, but the only thing I wanted was for him to say yes.

“Marry me,” I blurted out.

His mouth parted, forming a silent gasp. I waited lifetimes until his lips curved upward, and he sealed his mouth on mine. His kiss screamed a thousand different emotions. My brain felt swollen with warring thoughts of relief and panic. This was going to work. We would get married, Travis would have an alibi, and everything would be okay.

Oh, hell.

Damn. Shit. Fuck.

I was getting married.
Travis
Abby Abernathy was famous for one thing: having no Tell. She could commit a crime and smile like it was any other day, lie without a twitch in her eye. Only one person in the world had any chance of learning her Tell, and that one person had to figure it out if he wanted to have any chance with her.

Me.

Abby had lost her childhood, and I’d lost my mom, so for two people who struggled to get on the same page, we were the same story. That gave me an edge, and after making this my goal over the past months, I’d arrived at an answer:

Abby’s Tell was not having one. It might not make sense to most people, but it made perfect sense to me. It was the absence of that Tell that gave her away. The peace in her eyes, the softness in her smile, the relaxation of her shoulders alerted me that something was wrong.

If I didn’t know her better, I might have thought this was just our happy ending, but she was up to something. Sitting in the terminal, waiting to board a plane to Vegas, with Abby snuggled into the curve of my body, I knew it was easy to try to ignore. She kept lifting her hand, staring at the ring I’d bought her, and sighing. The middle-aged woman across from us was watching my new fianc�e and smiled, probably fantasizing about a time when she had her whole life ahead of her. She didn’t know what those sighs really meant, but I had an idea.

It was hard to be happy about what we were about to do with the cloud of so many deaths hanging above our heads. No, really, it was literally above our heads. A television on the wall displayed the local news. Footage of the fire and the latest updates scrolled across the screen. They interviewed Josh Farney. He was covered in soot and he looked horrible, but I was glad to see he’d made it. He was fairly hammered when I saw him before the fight. Most of the people who came to the Circle either came drunk or worked their way up to a buzz while they waited for me and my opponent to trade blows. When the flames began to crawl across the room, adrenaline pumped into everyone’s veins—enough to sober up even the most intoxicated.

I wished it hadn’t happened. We’d lost so many, and this wasn’t exactly something you’d want your wedding to follow. From experience, I knew that the memory of a tragedy could be misplaced. Attaching this date to something we would celebrate year after year would keep it front and center in our minds. Damn, they were still bringing out bodies, and I was acting like this was an annoyance. There were parents out there who had no idea they’d never see their kids again.

That selfish thought led to guilt, and that guilt led to a lie. It was a sheer miracle that we were getting married right now, anyway. But I didn’t want Abby thinking I was anything but super fucking pumped about getting married. Knowing her, she’d misread it and then change her mind. So I focused on her, and what we were about to do. I wanted to be a normal, so-excited-I-might-puke groom-to-be, and she deserved nothing less. It wouldn’t be the first time I’d pretended not to care about something I couldn’t get out of my head. The living proof was snuggled up next to me.

On the television screen, the anchorwoman standing outside Keaton Hall held the microphone with both hands, a frown line between her eyebrows. “.�.�. what the families of the victims will be asking: who is to blame? Back to you, Kent.”

Suddenly the nausea became real. So many had died, of course they were going to hold someone accountable. Was it Adam’s fault? Would he go to prison? Would I? I hugged Abby to me and kissed her hair. A woman behind a desk picked up a mic and began to speak, and my knee started to bounce uncontrollably. If we weren’t going to board soon, I might pick up Abby and run to Vegas. I felt like I could have made it there before the plane. The airline agent instructed us about boarding the flight, her voice rising and falling with the scripted announcement she’d probably read a million times. She sounded like the teacher in those Peanuts cartoons: bored, monotone, and impossible to understand.

The only thing that made sense were the thoughts on repeat inside my head: I was about to become the husband of the second woman I’d ever loved.

It was almost time. Damn. Shit, yeah! Fuck, yes!

I was getting married!

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15 of 16 people found the following review helpful.
Love this series
By JZacher24
This novella really brought the whole series together, I loved it as well as the entire series and I cant wait for the Maddox brothers stories!

15 of 16 people found the following review helpful.
Amazing
By Courtney
I love it!!! I feel like Travis and Abby are family, and love reading about them no matter what there doing. I just can't get enough of them.

98 of 124 people found the following review helpful.
*** Spoiler Alert **** Ruined it for me
By KBlanton
I can't believe I am writing a review for only 2 stars but it happened. I feel like this book ruined Beautiful Disaster for me. I loved and have read BD & WD over and over because I love Travis and the realness of their relationship. That being said I HATE that she makes the reason for Abby asking Travis to marry him to be because of anything but love. I do realize she was TRYING to save him out of love but I don't feel like the author showed the love. I also hate that she never has Abby come clean to Travis and that this lie is over their whole future and wedding. I was so disappointed and really wish I could erase this book from my memory.

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[Q835.Ebook] PDF Ebook Mary Shelley's Frankenstein: Tracing the Myth., by Christopher Small

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• Sales Rank: #719697 in Books
• Published on: 1974-02
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 352 pages

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